Performance Art

Meditation for Escape from Fear, Day 1.

Creating art in new spaces always enhances my creativity and my connection with nature, and the exquisite nature at Bodhi Khaya offered me a unique and unforgettable experience. In my performance “Meditation for Escape from Fear” which took place over six days at four different sites, I found myself directly confronting an overwhelming fear each day: my fear of snakes. I originally wanted to confront one of my biggest fears—the fear of confined and narrow spaces. However, the snakes I encountered presented an even greater fear, one that had deep roots in my subconscious. I believe that by observing a snake quite close during the second day of the performance and by witnessing their presence daily, my fear of snakes has largely been eradicated from my unconscious mind. Light and brightness have triumphed over darkness and the devil. However, the most beautiful and significant part of the project was the performance on the fifth day when I found myself on a small beach in front of the De Kelders Caves. Being in this marvelous place, with its indescribable beauty, I was so excited to have the opportunity to perform in one of humanity’s earliest dwellings, with the waves of the Atlantic Ocean touching my feet. The lines I had drawn on that beach with the red earth of Hormuz Island in Iran, added a symbolic and powerful element to the performance, making the experience even more profound. Bodhikhaya Residency, 2024. South Africa.

Photographer: Tina Bester & Tebuza Tebokhu

Freedom of Speech

2024, Iran, Photo and video taken by Mohamad & Maedeh Vakhideh

Pain of life: Body, Nature and Fabric Art.

Under my body, there are poems about nature sewn in Persian script. 2024. Babolsar, Mazandaran, Iran.

I was there, performance “Alef, Noon, Alef, Re” by: Bahman Abaspour.

Khane Honarmandan Iran, 11, 2023, photographer: Mehrnaz Rashno

From Line Series. 2023.

Nava. Haraz Road. Mazandara. Iran. Photographer: Mohammad Vakhideh

From Line Series. 2023.

Nava. Haraz Road. Mazandaran. Iran. Photographer: Mohammad Vakhideh

I was Water.

Azo Plain.Haraz Road.Mazandaran. Iran. Photographer: Mohammad Vakhideh

Stop the War

I was born in Iran and spent 8 years of my most beautiful days of childhood and teenage under the horrible shadow of the Iran-Iraq war. The word “war” always reminds me of my childish dreams which turned into nightmares. Painfully, what is happening in Ukraine today is for me a deadly repetition of the cries of children, mothers and fathers whose homeland has been devastated by the enemy’s tanks.The performance “Stop the War” is carried out to support brave Ukrainians. In this performance that took 2 hours and 40 minutes, two of my students addressed Russia by writing “Stop the War” using black ink and 6 brushes. To perform this at first thin brushed were used and the medium brushes. It must be noticed that the performing method is adapted from the performance of Chines artist Zhang Huan with the title of “family tree”.

For your Eyes.

During revolution of Woman Life Freedom in Iran many of young Iranian people last their Eyes this issue is my every day Nightmare. International Woman’s day, 2023, Photographer: Sajedeh

For Ghazal Ranjkesh, the repressive forces of the Iranian regime shot her in the EYE from close range. Ghazal has now lost the sight of his left EYE.

© 2026 Farzaneh Najafi

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